TAPINGS BEGIN AT 8PM SHARP CT; THEATER DOORS ARE AT 7PM AND WILL CALL/FRONT PORCH BAR OPENS AT 6PM.
DIRECTIONS, PARKING AND OTHER VENUE INFORMATION CAN BE FOUND HERE.
ACL Live at The Moody Theater is located at 310 W. 2nd Street, Willie Nelson Blvd.
Entering multiple times does not improve your chances of winning and multiple entries will be deleted. A random drawing is conducted to determine the winners of the Space Available passes. Passes are not transferable or for sale.
You will be notified via email if you have won tickets to a taping; the email will contain further instructions. Two passes per person are allowed. Please be in Austin or the surrounding community. A pass does NOT guarantee admission to a taping. KLRU will admit as many ticket holders as our capacity limit allows. That limit is set by the State Fire Marshal and is strictly enforced. In order to be assured of a full house for the taping, KLRU distributes tickets in excess of our capacity to account for “no-shows.”
If you are in Austin for a visit you are welcome to follow the giveaway process detailed here. Unfortunately, KLRU cannot accommodate special out-of town requests. However, another way to get the Austin City Limits experience is to attend the Austin City Limits Music Festival, or attend a scheduled concert at ACL Live at The Moody Theater, the new home of Austin City Limits.
ABOUT MJ LENDERMAN
26-year-old singer-songwriter-guitarist MJ Lenderman makes his ACL debut after a busy couple of years. A rock-and-roll and basketball obsessed kid growing up in the mountain town of Asheville, NC, he put out the breakthrough solo set Boat Songs in 2022; the sleeper hit piled offhanded, Southern-inflected rock on wry, laconic bangers like “Hangover Game,” “Six Flags” and “Tastes Just Like It Costs.” With its barbed little jokes, canny sports references, and gloriously ragged guitar solos, the album became one of that year’s standouts, a ramshackle set of charms and chuckles. He followed with a stellar 2024, bookended by a memorable feature on Waxahatchee’s “Right Back To It,” a magnetic duet about romantic doubt that became one of the year’s biggest indie-rock anthems, and the release of his own highly anticipated solo album, Manning Fireworks. A laser-sharp study of misfits and the mistakes they make, where sympathy and sardonicism share the same ragged rock song, the acclaimed release features thumbnail character studies: “She’s Leaving You,” a half-sneering portrait of a dad cheating his way through a midlife crisis, at least until he gets caught and blasts Clapton in a rented Ferrari en route to Vegas; “On My Knees” finds Lenderman wondering what it means to have fun in a world where so many people seem full of shit; and muses on edgelords and alpha males on the standout “Wristwatch.” Manning Fireworks topped many critics’ year-end best lists, with Rolling Stone raving, “MJ Lenderman delivers a sad-guy indie-rock gem” and named him “a budding guitar great and ace storyteller”; The New York Times calls Lenderman “A young artist with an old soul and a keen eye for observational detail that makes his canted portraits of small-town life come alive”; NPR raves, “He’s a homespun magical realist, always throwing in something off-kilter to elevate his tales of lovable losers”; and the Guardian concurs, “Far from being dude-centric, Manning Fireworks’ sad sack anthems tap into something devastatingly, purely human.”
